Hey Everyone,
I know it's been a good long while since I've posted and now that I'm comfortably relocated to Brooklyn I'm happy to be writing again. One of the things that I've noticed since moving and checking out the shops here in New York, even the specialists is the complete lack of representation of one of my favourite wine-producing countries; Portugal.
Now aside from producing what is arguably one of the greatest wine styles in the world, Portugal is remarkably varied for such a small country and produces a bewildering range of wines. Beyond the noble Port houses and their legendary fortified sweet red wines, wine makers in Portugal offer nearly everything a discerning wine-lover (I don't like the word oenophile) could desire. From a range of light refreshing whites with effervescence perfect for seafood to rich, powerful reds worthy of laying down for decades, Portuguese wine is in every sense a world-class product.
Let's start with what we know. So Portugal is easily most famous for it's fortified wines from Porto and the Madeira Islands in the Atlantic. With Madeira the range is as varied as Spanish Sherry, so you are not looking at a single style of sweet dessert wines. There are dry Madeiras, sweeties and everything in between, with some very interesting aged wines. I wrote on this subject a few months ago so by all means have a look at this old posting on wines by Barbeito. Port on the other hand is a mixed bag of basic ruby ports and LBVs for under £15 right on up to some of the most reliably long-lived wines of impeccable quality.
But beyond all that familiar stuff, there is a huge array of interest for those looking for wine for the table. Lets say you're into your Sauvignon, or Grüner Veltliner or even the ever more popular Albariño from Spain and really want something refreshing and easy drinking. The north of Portugal, near the country's border with Spain is the aptly named region of Vinho Verde (literally 'Green Wine'). Here, Alvarihno grows in conditions very similar to those of Galicia to the north and results in a very refreshing youthful wine with plenty of light citrus fruits and a very enticing palate with high acidity, minerals and a slight spritz.
Other whites such as regional blends from the Tejo can be a bit fleshier and more forward with their fruit characters and can be slightly reminiscent of Australian VIognier or Rhône whites. Here the winemakers are pretty willing to try experimentation with some new world techniques and styles, so you will be likely to encounter some big fruit bombs just as you can find more traditional bottlings.
As can be expected, the finest wines of Portugal are likely to have garnered the most of this limited load of attention, not least of all because they so happen to share the vineyard lands which yield the grapes for Port. The Douro valley (same as Spain's Duero running through that country's finest regions) is very much parallel to Bordeaux. Here wines are produced with Touriga Nacional, Trincadeira and Touriga Franca among others making for a wine with a similar tannin and acid structure to wines of Bordeaux, complimented by intricate aromas of herbs, black currants and complex rusticity. The more inexpensive wines here are approachable, fruit forward and easily paired to a wide array of foods. The best examples, however, are age worthy and interesting wines that stand shoulder to shoulder with the most serious wines in the world.
For some of these serious wines, one looks to the producers with the longest traditions. Port houses going the extra mileage to put out a range of table wines have resulted in the Batuta, Charme and Robustus wines from Niepoort, excellent examples of long lived table reds. Other producers, however are dedicated to table wines, such as Quinta de Macedos and Quinta da Romaneira. All of these and many more produce wines of impeccable quality and should satisfy the most demanding palates.
I am a huge fan of Portugal's wines and believe that they deserve far greater consideration for the qualities they exhibit. If you find yourself in a shop with an interesting selection from this gem on the Atlantic fringe, be sure to give it a try. If you're unsure, ask someone at the shop what is most likely to be to your taste, because I am sure you will be happy you gave it a shot.
Much Love,
G
Showing posts with label Artisan Wine. Show all posts
Showing posts with label Artisan Wine. Show all posts
Monday, 3 December 2012
Posted with Blogsy
Wednesday, 26 September 2012
Drone Strikes vs. Carpet Bombing- A Merchant's Dilemma
Hey Everyone,
The other day I made my way down to London for a tasting hosted by wine merchants, Bibendum, showcasing the most interesting wines from their list. The last time I was at a Bibendum Tasting (the Just Add Bibendum Tasting) the multiple rooms of a massive venue were packed with row after row of tables occupied by producers showing up to ten bottles each. There were thousands of wines and thousands of people all cramming to get to the table to try their £10 shiraz or somesuch.
The same sort of thing goes for massive events such as the SITT Tastings, which I attended in Manchester and the Liberty Tasting in Edinburgh, where a tight venue in the form of an old library was used to showcase around 1,500 wines. At these tastings, I tend to find that about 30% of the wines shown are pretty poor with a larger level of decent/ passable wines and a small percentage of awesome wines. This tasting, however was different; gloriously different.
40 producers, a strictly limited invite list and two smallish rooms in the Gallery Soho provided the story line for the evening. Top sommeliers from Michelin starred restaurants don't want to bother sifting through the endless lakes of crappy wine to find themselves with a handful of good bottles. They don't need a cheap wine with a value reflected in it's quality. They need proper wine that they can put down on a table that can carry the reputation of the establishment. In essence, they rely on the wine to no let the side down. This tasting was for 'Artisan wine' meaning that everything there was carefully chosen and, indeed, carefully made. It was an exercise in a wine merchant doing what is most important in the trade. That is avoiding the temptation to carpet bomb their customers with overwhelming choice and lazily say 'Look how much choice we offer, we're obviously the best.'
A good wine merchant is more precise, and while variety is important, I have seen time and time again as a customer wanders into a wine shop and becomes paralysed by selection. What is even the most experienced drinker supposed to do when you have the option of 7 Alsatian Rieslings all between £10 and £15? It should be the responsibility of the merchant to find the wine in that price range, made with the most care and quality and put that to their customers. This tasting showed me just how accurate a merchant's selection can be. Rather than carpet bombing, this was a drone strike. 1/20th of the wine as the usual tasting, but still a wine to fit each price range, from a £15 bottle of delicious Sicilian Rose, to a £100 bottle of Daguenau Pouilly-Fumé, and what's more; every bottle chosen was good.
Now some of these wines weren't necessarily to my taste, but I could easily see the merits of each of them in their own style. For example, I'm not really a fan of Australian shiraz, as popular of a wine as it is, but the ones on display were true to style and, for a shiraz drinker they were clearly worth every penny. At the average trade tasting I could go through 10 Shirazes before I settle on 1 solid example. Not the case here. A wine merchant doesn't need a shop filled with thousands of wines with thirty of each style and multiples in each price range. What they need is precision. One good £15 bottle of chardonnay that can be replaced regularly with an exciting rotation of stock is infinitely preferable to mountains of stagnant variation.
The merchant's job is to facilitate the relationship between the producer and the consumer and to help the latter by doing half of the deciding. A respectable wine company should be a guarantee that every bottle on the shelf is a good example of what the label says. It comes down to the consumer to buy with confidence and enjoy a good glass of wine, not go through trial and error to finally get there.
Much love,
G
The other day I made my way down to London for a tasting hosted by wine merchants, Bibendum, showcasing the most interesting wines from their list. The last time I was at a Bibendum Tasting (the Just Add Bibendum Tasting) the multiple rooms of a massive venue were packed with row after row of tables occupied by producers showing up to ten bottles each. There were thousands of wines and thousands of people all cramming to get to the table to try their £10 shiraz or somesuch.
The same sort of thing goes for massive events such as the SITT Tastings, which I attended in Manchester and the Liberty Tasting in Edinburgh, where a tight venue in the form of an old library was used to showcase around 1,500 wines. At these tastings, I tend to find that about 30% of the wines shown are pretty poor with a larger level of decent/ passable wines and a small percentage of awesome wines. This tasting, however was different; gloriously different.
40 producers, a strictly limited invite list and two smallish rooms in the Gallery Soho provided the story line for the evening. Top sommeliers from Michelin starred restaurants don't want to bother sifting through the endless lakes of crappy wine to find themselves with a handful of good bottles. They don't need a cheap wine with a value reflected in it's quality. They need proper wine that they can put down on a table that can carry the reputation of the establishment. In essence, they rely on the wine to no let the side down. This tasting was for 'Artisan wine' meaning that everything there was carefully chosen and, indeed, carefully made. It was an exercise in a wine merchant doing what is most important in the trade. That is avoiding the temptation to carpet bomb their customers with overwhelming choice and lazily say 'Look how much choice we offer, we're obviously the best.'
A good wine merchant is more precise, and while variety is important, I have seen time and time again as a customer wanders into a wine shop and becomes paralysed by selection. What is even the most experienced drinker supposed to do when you have the option of 7 Alsatian Rieslings all between £10 and £15? It should be the responsibility of the merchant to find the wine in that price range, made with the most care and quality and put that to their customers. This tasting showed me just how accurate a merchant's selection can be. Rather than carpet bombing, this was a drone strike. 1/20th of the wine as the usual tasting, but still a wine to fit each price range, from a £15 bottle of delicious Sicilian Rose, to a £100 bottle of Daguenau Pouilly-Fumé, and what's more; every bottle chosen was good.
Now some of these wines weren't necessarily to my taste, but I could easily see the merits of each of them in their own style. For example, I'm not really a fan of Australian shiraz, as popular of a wine as it is, but the ones on display were true to style and, for a shiraz drinker they were clearly worth every penny. At the average trade tasting I could go through 10 Shirazes before I settle on 1 solid example. Not the case here. A wine merchant doesn't need a shop filled with thousands of wines with thirty of each style and multiples in each price range. What they need is precision. One good £15 bottle of chardonnay that can be replaced regularly with an exciting rotation of stock is infinitely preferable to mountains of stagnant variation.
The merchant's job is to facilitate the relationship between the producer and the consumer and to help the latter by doing half of the deciding. A respectable wine company should be a guarantee that every bottle on the shelf is a good example of what the label says. It comes down to the consumer to buy with confidence and enjoy a good glass of wine, not go through trial and error to finally get there.
Much love,
G
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